BREAKING: Dhurandhar The Revenge’s ‘Raw and Undekha’ version to drop internationally on Netflix on May 14; to be three minutes longer than the theatrical version

Dhurandhar The Revenge completed 50 glorious days today, May 8. The film has continued to do well in cinemas since day 1, and in a week’s time, it will finally drop on OTT. Bollywood Hungama has learned that Dhurandhar The Revenge will release on Netflix in international territories from May 14. Interestingly, the viewers will get to catch a longer version online.

Today, the overseas audiences learned that the Netflix app displays the information that Dhurandhar The Revenge will drop internationally on May 14. Interestingly, the title displayed on the streaming platform is ‘Dhurandhar The Revenge (Raw and Undekha)’. And that’s not all. The run time shown on the app is 3 hours and 52 mins. The theatrical version’s duration is 3 hours, 49 minutes and 6 seconds. Hence, the OTT version is longer by 3 minutes.

Dhurandhar stars Ranveer Singh, Sanjay Dutt, R Madhavan, Arjun Rampal, Sara Arjun, Rakesh Bedi and others. It is produced by Jyoti Deshpande of Jio Studios and Aditya Dhar and Lokesh Dhar of B62 Studios and written and directed by Aditya Dhar. The first part was released on December 5, 2025 and became an all-time blockbuster, breaking all records. The sequel, Dhurandhar The Revenge, was an even bigger hit and set new records.

It now remains to be seen whether Dhurandhar The Revenge will also be available in an extended version in India. In the home country, the film will stream on JioHotstar.

Also Read: EXCLUSIVE: “We’re NOT done with Dhurandhar yet,” reveals Jyoti Deshpande of Jio Studios

Shakti Kapoor reacts to death hoax, says “My death news is all fake”; actor to file cyber complaint

Veteran actor Shakti Kapoor has strongly reacted to fake reports of his demise that recently surfaced online. The actor took to social media to personally dismiss the rumours and reassure fans and loved ones that he is safe, healthy, and doing absolutely fine.

In a short video message shared online, the actor addressed the misleading reports directly and urged everyone not to believe them. “Hello everyone. My death news is all fake. I am healthy and happy. Please ignore it”, he said.

Expressing disappointment over the circulation of such rumours, Shakti Kapoor also revealed that he intends to take legal action against those responsible for spreading the false information. “I am going to file a cyber complaint about it because this is not good,” he added in the video.

 

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  A post shared by Shakti Kapoor (@shaktikapoor)

Soon after the actor posted the clarification, several fans flooded the comments section with messages of relief and support. Many users condemned the spread of fake news on social media and called for stricter action against individuals who create and circulate such hoaxes involving celebrities.

With a career spanning over five decades, Shakti Kapoor has remained one of the most recognizable faces in Hindi cinema. The actor gained immense popularity through his villainous and comic performances in films across the 1980s and 1990s. His memorable portrayals in movies like Andaz Apna Apna and Raja Babu continue to enjoy a cult following among audiences even today.

In recent years, the actor has continued to appear selectively in films while maintaining his presence in the entertainment industry. He was recently seen in projects like Animal and Mere Husband Ki Biwi.

Apart from his own career, Shakti Kapoor is also known as the father of actors Shraddha Kapoor and Siddhanth Kapoor. Shraddha Kapoor, in particular, has been enjoying a successful phase professionally with her last two films - Tu Jhoothi Main Makkaar and Stree 2 emerging as major successes.

Also Read: Shakti Kapoor sells Juhu apartment for Rs 6.11 crores: Report

Nora Fatehi apologises to NCW over ‘Sarke Chunar’ controversy; says, “There was no intention to offend anybody”

Actor-dancer Nora Fatehi appeared before the National Commission for Women (NCW) on May 7 in connection with the controversy surrounding the song ‘Sarke Chunar’ from the upcoming film KD – The Devil. The actress addressed the matter before the commission and issued an apology, stating that there was no intention to hurt sentiments through the track.

Speaking after her appearance before the commission, Nora told ANI, “It was just a situation that I was put in, and there was no intention to offend anybody, but of course I have to be responsible as an artist. I definitely apologise, we have done everything in writing. They have been so kind and helpful. It's really important for us to give back to society. So, I decided that we should sponsor a few orphan girls, their education, so that is the goal after this matter.”

#WATCH | Delhi | Actor-dancer Nora Fatehi today appeared before the National Commission for Women (NCW), in connection with the matter pertaining to the song Sarke Chunar

She says, "I apologise as I have to be responsible as an artist. There was no intention to offend anybody.… pic.twitter.com/OAcvyUaE4C — ANI (@ANI) May 7, 2026

The controversy dates back to March 2026 when the NCW had taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song ‘Sarke Chunar Teri Sarke’. The commission had then shared an official statement on social media expressing concern over the content of the track.

The statement read, “The National Commission for Women, in exercise of its powers under the NCW Act, 1990, has taken suo motu cognizance of media reports alleging obscenity and vulgarity in the song “Sarke Chunar Teri Sarke.” Observing that the content prima facie appears to be sexually suggestive, objectionable, and violative of provisions under the Bharatiya Nyaya Sanhita, IT Act, and POCSO Act, the Commission has taken serious note of the matter. Summons have been issued to Actress Nora Fatehi, Raqueeb Alam, Actor Sanjay Dutt, Venkat K. Narayana (Producer, KVN Group), and Kiran Kumar (Director) directing them to appear before the Commission.”

The summons asking Nora to appear before the commission was issued on May 6. And, the actress eventually appeared on May 7 to clarify her stance and respond to the concerns raised by the statutory body.

The development has once again brought discussions around creative freedom, censorship, and accountability in entertainment content into focus. Meanwhile, KD – The Devil continues to remain one of the talked-about upcoming projects owing to its ensemble cast and ongoing controversies surrounding the film’s promotional material.

Also Read: Nora Fatehi summoned by National Commission for Women over ‘Sarke Chunar’ row from KD – The Devil

Sanjay Dutt starrer Aakhri Sawal gets CBFC clearance; makers lock May 15 release date

The makers of Aakhri Sawal have officially announced the film’s new release date after resolving recent certification delays with the Central Board of Film Certification (CBFC). Headlined by Sanjay Dutt, the film is now slated for a grand theatrical release on May 15, 2026. Along with confirming the release date, the team also unveiled a new poster featuring the ensemble cast and announced that the much-awaited trailer of the film will be launched tomorrow.

Aakhri Sawal has been generating considerable curiosity ever since its announcement, particularly due to its teaser which hinted at politically and historically sensitive themes linked to the Rashtriya Swayamsevak Sangh. The teaser had sparked widespread discussion online for its intense tone and references to historical events.

However, the film recently encountered hurdles during the CBFC review process, leading to uncertainty around both its release schedule and promotional campaign. The certification delay reportedly put the trailer launch plans on hold while the makers awaited official clearance.

Now, with the censor process completed and the film receiving the green signal, the production team has resumed its promotional rollout. Sharing the latest poster on social media, the makers wrote, “Tomorrow, the nation will witness the truth. The wait is over — the most awaited trailer drops tomorrow. #AakhriSawal Trailer out tomorrow Get ready to know the answer on 15th May only in cinemas.”

 

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  A post shared by Nikhil Nanda Motion Pictures (@nikhilnanda_motionpictures)

Apart from Sanjay Dutt, the film also stars Namashi Chakraborty, Tridha Choudhury, Amit Sadh, Neetu Chandra and Sameera Reddy in pivotal roles. The project has been directed by National Award-winning filmmaker Abhijeet Mohan Warang and written by Utkarsh Naithani, who has handled the story, screenplay and dialogues.

Presented by Nikhil Nanda, the film is produced by Nikhil Nanda and Sanjay Dutt, with Puneet Nanda, Dr. Deepak Singh, Gaurav Dubey and Ujjwal Anand serving as co-producers. Aakhri Sawal will release in Hindi, Telugu, Kannada and Malayalam, aiming for a wide pan-India theatrical reach.

With the CBFC hurdle now behind it and the trailer launch set for tomorrow, the film’s promotional campaign is expected to intensify in the coming days ahead of its May 15 release.

Also Read: SCOOP: Sanjay Dutt-starrer Aakhri Sawal unlikely to release in cinemas on May 8 due to censor issues; makers eye May 15 release

EXCLUSIVE: Daadi Ki Shaadi gets U certificate; Panorama Studios acquires global distribution rights

Panorama Studios has acquired the global distribution rights for the upcoming family entertainer Daadi Ki Shaadi, which is scheduled to release in cinemas on May 8, 2026. The film has also received a U certificate from the Central Board of Film Certification, making it suitable for viewers of all age groups.

Directed by Ashish R. Mohan, the film explores the idea of second chances in love, set within the framework of a family-driven narrative. With its focus on relationships, humour, and emotional moments, the film aims to appeal to a wide audience segment.

The cast is led by Neetu Kapoor and Kapil Sharma, and also features Riddhima Kapoor Sahni, Sarath Kumar, and Sadia Khateeb in key roles. The ensemble is positioned as a central element of the film’s narrative, which draws on family dynamics and interpersonal relationships.

The project is produced by Rtake Studios, BeingU Studios, and Shimla Talkies, with music released under Warner Music India. The soundtrack is already available across major streaming platforms, contributing to the film’s ongoing promotional push.

Speaking about the acquisition, Kumar Mangat Pathak, Chairman of Panorama Studios, said, “We are delighted to bring Daadi Ki Shaadi to audiences across the globe. It’s a rare, heartwarming story that celebrates love, family, and second chances in a way that resonates universally.”

Director Ashish R. Mohan described the film as a personal project, stating, “Daadi Ki Shaadi is very close to my heart. It explores the dynamics of family and the many layers of relationships that bind us together.” He added that the collaboration with Panorama Studios would help the film reach audiences across markets.

Murlidhar Chhatwani, CEO of Distribution and Syndication at Panorama Studios, also highlighted the film’s broad appeal, noting that its universal theme and emotional core position it as a strong family-oriented theatrical offering.

With a U certification, an ensemble cast, and a global distribution plan in place, Daadi Ki Shaadi is set to arrive in cinemas worldwide on May 8, aiming to cater to audiences looking for light-hearted, family-centric storytelling.

Also Read: Riddhima Kapoor Sahni gets emotional on acting debut: “I know my father is always with me” ahead of Daadi Ki Shaadi release

Ishaan Khatter to star in comic caper Jugaadu, film goes on floors in Mumbai

Production houses Tips Films and Baweja Studios have announced their second co-production titled Jugaadu, a comic caper starring Ishaan Khatter and Punjabi actor Tania. The film marks Tania’s debut in Hindi cinema and brings a fresh on-screen pairing to the forefront.

The project was officially launched with a mahurat ceremony held in Mumbai on April 30, 2026. With initial formalities completed, the makers are now preparing to begin the first shooting schedule in Punjab later this month.

Jugaadu will also feature an ensemble cast including Abhishek Banerjee, Jameel Khan, Vaibhav Raj Gupta, Yamini Dass, Sukhwinder Chahal, and Nirmal Rishi in key roles. The film is positioned as a light-hearted entertainer that blends humour with situational storytelling.

The film will be directed by Palash Vaswani, who is known for his work on series such as Gullak and Bada Naam Karega. Jugaadu marks his feature film debut, making it a significant step in his career after working in the digital space.

Ishaan Khatter, who has been making varied film choices in recent years, will be seen leading the narrative in what is described as a fun, character-driven story. Meanwhile, Tania’s transition from Punjabi cinema to Hindi films adds a new dimension to the project, with the film expected to introduce her to a wider audience.

The film is being produced by Ramesh Taurani, Pammi Baweja, Harman Baweja, and Jaya Taurani. The collaboration continues the partnership between Tips Films and Baweja Studios as they expand their slate of commercial entertainers.

With pre-production underway and filming set to begin soon, Jugaadu is expected to take shape over the coming months. While further details about the storyline remain under wraps, the film is being positioned as a mainstream comedy aimed at a wide theatrical audience.

Also Read: Ishaan Khatter pays tribute to Michael Jackson at Miss India Event; says, “Love being on stage”

Shah Rukh Khan-Deepika Padukone's King leak goes viral: Are fan pages bigger than official promotions now?

Leaked visuals from the South Africa schedule of King, featuring Shah Rukh Khan and Deepika Padukone, went viral online; Siddharth Anand requested fans not to circulate such visuals to preserve the film’s cinematic experience.

Once upon a time, Bollywood controlled the first look.

A poster was planned. A teaser was timed. A still was approved. A magazine cover was negotiated. A campaign was built week by week, sometimes month by month. The audience saw what the studio wanted them to see, when the studio wanted them to see it. That world is gone.

The King leak controversy proves it. One leaked visual from a foreign schedule can now do what crores of marketing money once did. Ignite national conversation before the makers are ready. Shah Rukh Khan and Deepika Padukone’s leaked visuals from the sets have sent fans into overdrive, while director Siddharth Anand’s appeal not to circulate them has raised a larger question: in today’s cinema ecosystem, are fan pages more powerful than official PR?

The answer is uncomfortable. In many ways, yes.

pic.twitter.com/sTvx9IP4w3 — Siddharth Anand (@justSidAnand) May 1, 2026

Fan pages today are not just fan clubs. They are distribution networks. They are hype machines. They are unofficial newsrooms, meme factories, archive libraries and emotional armies. They monitor shoots, track schedules, amplify sightings, decode costumes, compare looks, trend hashtags and create narratives long before studios release official material. For a film like King, starring Shah Rukh Khan, this ecosystem becomes even more intense. SRK fandom is not passive. It is organised, emotional and incredibly fast.

That speed is both a blessing and a problem. On one hand, leaked images prove massive curiosity. Nobody leaks or circulates something that no one cares about. The frenzy around King shows the scale of anticipation. It tells the industry that the film is already an event. It gives free publicity, organic chatter and instant recall. In marketing terms, that is gold.

But cinema is not only marketing. It is also an experience. A filmmaker plans reveals for a reason. A look, a frame, a costume, a location, a character dynamic, all these things are meant to arrive with context. When leaked in poor quality or without explanation, they can distort perception. A blurry picture becomes a theory. A half seen costume becomes a judgement. A random moment on the set becomes a first look. The surprise is diluted before the storytelling even begins.

That is why Siddharth Anand’s frustration is understandable. A film like King is not being built casually. It is being mounted as a major cinematic event. The makers would naturally want control over how the first real imagery reaches the public. But control is now the hardest thing for filmmakers to retain. The more anticipated the film, the more impossible secrecy becomes.

There is also a moral question for fans. If one loves a star, does circulating leaks help or hurt the film? Fans often argue that they are only spreading excitement. Filmmakers argue that they are damaging the surprise. Both sides have a point. Fan excitement is genuine. But love without restraint can become interference. There is a difference between celebrating a film and prematurely exposing it.

The deeper issue is that Bollywood’s promotional model has not fully adapted to the fan page age. Studios still think in terms of official drops. Fans operate in real time. Studios plan calendars. Fans chase moments. Studios want polish. Fans want immediacy. The gap between the two is where leaks thrive.

The King controversy also shows the changing power structure around stardom. Earlier, PR teams created narratives and fans consumed them. Today, fans often create narratives and PR teams react to them. A leaked image can force a filmmaker to issue a statement. A fan trend can push a studio to respond. A blurry video can become bigger than a planned announcement. This is not a small shift. It is a complete reversal of control.

For Shah Rukh Khan, this is not new. His fandom has always been emotionally charged. But after his massive comeback phase, every move around him carries even greater scrutiny. Add Deepika Padukone to the mix, and the curiosity multiplies. Every frame becomes content. Every gesture becomes discourse. Every leak becomes a headline.

The industry now has two choices. It can either keep fighting leaks with requests and warnings, or it can rethink how to handle anticipation in an age where secrecy is almost impossible. Perhaps the answer lies in faster official communication, controlled behind the scenes drops, stricter set protocols and a more direct relationship with fan communities. But even then, the truth remains: the fan page is now a stakeholder.

The King may still belong to the makers on screen, but off screen, the kingdom is increasingly being run by the fans.

Also Read: King leak controversy: Siddharth Anand issues strong warning after Shah Rukh Khan, Deepika Padukone set photos go viral